Friday, June 1, 2007

Inexcusable Summary and Teaching Applications

Inexcusable is one of Lynch’s most recent books, and has been named an ALA Best of the Best Books for Young Adults, a Booklist Editor’s Choice selection, and a National Book Award Finalist. The book tells the story of Keir Sarafian, a high school senior football player and self-proclaimed good guy who struggles with his identity and self-awareness after his childhood friend Gigi accuses him of rape. Keir’s mother died when he was a baby, and he grew up with two older sisters and a “quasi-alcoholic” but good-natured father. The book has a somewhat complicated narrative structure, using two different sets of flashbacks to tell the story. In one series of flashbacks, Keir relives events from his high school days as he tries to justify himself as a “good guy” and to deny the possibility of guilt. This web of stories reveals huge self-deception and irresponsibility in Keir, but he does not seem aware of his true character. The second series of flashbacks gives pieces of the fateful night with Gigi. Lynch has created a complex character in Keir, and succeeds in seducing the reader to sympathize with Keir throughout much of the novel. This book is appropriate for mature high school readers, and deals with themes such as family, responsibility, rape, and self-awareness. It is contains scenes of drug and alcohol abuse, underage drinking, sex and cruel pranks.

If I taught this book, it would most likely be paired with a book that discusses rape or sexual assault from a female point of view. I think Inexcusable provides interesting insights into the male perspective, and while Keir has a unique story, in many ways his story is very relatable. This book would provide an interesting contrast to a book like Laurie Anderson’s Speak. Like any text dealing with issues of sexual assault, teaching this book requires sensitivity and maturity from both teacher and students. Classroom time should be devoted to discussing rape, possibly inviting speakers or experts to discuss the topic. This book lends itself well to activities that call for introspection and self-awareness, as these are prominent ideas in the book. Students could write about a time their intentions were obscured by the result of an action, and could complete a mirroring activity. In the mirroring activity, students would identify both their personal and public personas and the interplay between them. They would then create masks using words and images, with the outside of the mask representing the public persona, and the inside representing the private persona. Then, the students would write a reflective piece about the experience. If read with Speak, the students would write about male and female perspectives on rape and other issues, and could hold a male vs. female discussion of issues that matter to the students to explore the perspective of the opposite gender.

Quotes from Inexcusable

"The way it looks is not the way it is (3)."

"I thought about mistakes I had made in the past. I thought about when things went wrong. And I realized it was never an issue of intent, but of intensity. I was a good guy, recall (113)."

"Okay, nobody is really innocent, are they? In real life. Nobody at all can say exactly that they are innocent. I don't want to prove to you that I'm innocent, Gigi, I just want to prove to you that I'm good. Good is better than innocent, because at least good is possible (161-162)."

Praise for Inexcusable


*ALA Best of the Best Books for Young Adults
*Booklist Editors' Choice
*National Book Award Finalist
*NYPL "Books for the Teen Age"
*PSLA Fiction List
*Rhode Island Teen Book Award Nominee
*Texas Tayshas High School Reading List
*Virginia Readers’ Choice Award Master List




"This raw and powerful book will hammer its way into your heart and haunt you. The world needs this story. And you want to read it--trust me."
-Laurie Halse Anderson, Printz Honor-Winning Author of Speak

"
Chris Lynch is the best pure YA writer we have--he has the guts, he has the chops, and like his readers, he'll take a close look at anything. Inexcusable is irresistible, in its limning of the space between brutality and grace, between the soul and the law. Start at page one--you'll never stop."
-Bruce Brooks, Newberry Honor-Winning Author of The Moves Make the Man

"Inexcusable
is a not-to-be-missed chapter in the anthropology of ritual male dating behavior. From the first phrase to the last phase, Chris Lynch creates a character with such flawless self-deception that the reader mistakes being seduced with being stalked. In the end you become the book's trophy, and you'll find your head mounted on the cover."
-Jack Gantos, Printz Honor-Winning Author of Hole in My Life

Shadow Boxer Summary and Teaching Applications


Shadow Boxer, Lynch’s debut novel, was named an ALA Best Book for Young Adults. The book tells the story of George and his little brother Monty who struggle to learn about life and family after their father, a boxer, dies of boxing-related injuries. George, as the older brother, finds himself promoted to man of the house while in middle school, and struggles to impart the lessons he learned from his father and from his own experiences to Monty. Most of these life lessons are framed through boxing and taught in the boys’ makeshift ring, and George takes his responsibility to train and protect Monty extremely seriously. As the younger son, Monty had less interaction with the boys’ father and decides that he wants to follow his father’s path into the boxing ring. George must learn that part of loving is letting go, and that he must allow Monty to make mistakes and to fail before Monty can find himself and his passions. The book deals with themes such as love, familial relationships, responsibility, character, child abuse, and the loss of a parent.

Shadow Boxer is geared toward a middle school audience, though struggling high school readers could enjoy the book as well. This book could be used as a whole-class selection, in literature circles, or as a recommended book for students to read outside of class. The book’s themes would ensure good discussions, and its use of literary elements such as dialect and tone make it worthy of literary study as well. The book would fit well into a thematic unit on family. In teaching this book, I would use a fairly traditional format of reading and discussion, but would also introduce a variety of activities to emphasize themes and help the students connect to the text. One activity I would use with this novel is a family crest activity. Students would create a four section crest, including a symbol for the family, a family motto or quote that represents the family, a family flag, and the family name written in a creative or symbolic way. We would then display these family crests throughout the unit and after reading the book, students will create a crest for George’s family. Students would also complete a writing assignment about the lessons or stories from their families that they would want to pass down or share with younger siblings or even their own children, and why these lessons and stories are so important.

Quotes from Shadow Boxer

"I taught you how to fight. Now I'm gonna teach you how not to be a fighter, how to walk away (7)."

"The kind of people who need Monty and me to do stuff for them are the kind of people we'll never be. People who can't take care of themselves. That's something I learned a long time ago, and it's my job to make sure that Monty learns it as well (39)."

"I knew one thing: I had a job given to me a long time ago, and if Monty became a fighter, then I had failed (203)."

"Know this Georgie: It can be a hard thing sometimes to tell winnin' from losin' (212)."

Praise for Shadow Boxer



"Chris Lynch truly walks that razor sharp line between comedy and tragedy that is the essence of passionate storytelling. And he knows about that wrenching position of child-parent that no kid should ever have to fill. A simple tale told extremely well."
-Chris Crutcher, author of Whale Talk and Ironman

"Reading Shadow Boxer is like boxing a pro--the clowning and the dancing and the precision of the body blows instruct and distract, allowing Lynch to strike again and again with stunning literary uppercuts. At times painful and hilarious, this first novel knocked me out."
-Marc Talbert, author of Small Change

"Every once in a while, an authentic voice comes along, so true that it makes your bones sing. That's the voice in Shadow Boxer, a knockout of a novel that seems to be about boxing but isn't. It's about loving--a brother, a father, a mother. It will linger in your mind--and maybe in your soul--for a long, long time."
-Robert Cormier, author of The Chocolate War

Tuesday, May 29, 2007

YA Works by Chris Lynch


Shadow Boxer (1993) An ALA Best Books for Young Adults

Iceman (1994) An ALA Best Books for Young Adults
Gypsy Davey (1994) An ALA Best Books for Young Adults
Slot Machine (1995)
Political Timber (1996)

Extreme Elvin (1999)
Whitechurch (1999)

Gold Dust (2000) An ALA Best Books for Young Adults
All the Old Haunts (2001)
Freewill (2001)
Inexcusable (2006) An ALA Best of the Best Books for Young Adults
Who the Man (2002)

Chris Lynch Biography


Chris Lynch was born July 2, 1962. He is a prolific writer of young adult fiction, known for stories that capture the reality of teen life and experiences. Lynch is an interesting author because some of his works have been banned or censored, but others have won many awards and honors. He frequently writes about male protagonists who struggle to transition into manhood.

Lynch grew up in a working class neighborhood in Boston, the 5th of seven children. His father died when Lynch was young, and the family lived on public assistance for a period.

Chris Lynch enrolled at Boston University before completing his junior year of high school, but later transferred to Suffolk University, where he majored in journalism. Lynch later earned an M.A. in writing from Emerson University and began writing for the young adult audience.

Recurring topics in Lynch's YA writing include sports and violence. These topics take many different forms, but frequently influence the story. Much of Lynch's subject matter is intense, as he deals with gender issues and male coming of age issues.